Do you use Lightroom? Do you want to keep those family and business photos together in the same catalog & still being able to pull them up separately when you need to? Read on, because this time I am sharing my Lightroom workflow, to give you a full solution organising and selecting the best of your shots...
I have read many reviews on Lightroom workflows, from simple to extremely complex - the one thing I have not seen in these articles is how to deal effectively with the issue of keeping your family and business photos together in the same catalog and still have full control over those. While separate catalogs would work for professional photographers who keep each client in one LR catalog, for us, enthusiasts this is just not practical, we go on Holiday with our family, take pictures of our kids in one moment, and a minute later we shoot that fantastic landscape which will later be uploaded to 500px... There is no point to put these to different catalogs, it is cumbersome to have them in separate folders too, so how to keep them organised?
In this post I will walk you through my LR workflow. The basics of the workflow comes from Scott Kelby, he needs no introduction when it is about LR. I have made some significant tweaks though to fit the workflow to my own needs. Let's start diving into my method!
" I Sometimes Just Arrive When God Is Ready for Someone to Click the Shutter "
Showing posts with label tutorials. Show all posts
Showing posts with label tutorials. Show all posts
Thursday, 11 December 2014
Wednesday, 3 December 2014
Going Full Frame with the D750, Part II.
Hi everybody, I am back again with the second part of my previous blog entry about the new full frame Nikon D750. This time I have taken it outdoors, eager to capture the first shots at the lake near my house. Unfortunately the weather was not the best, zero interesting light, dull, hence the pictures do not rock, and yet I was still satisfied with the results I have got. The D750 combined with the Nikon 24-70mm f2.8 lens gave some reasonable images, despite the dull weather.
First, I have just took a few shots to get used to the full frame lens :
Worked with auto ISO, letting the D750 decide the sensitivity, since I handheld the camera. This test of course was as much dependent on the lens, as on the camera. F8 gave really nice sharpness as expected.
First, I have just took a few shots to get used to the full frame lens :
Worked with auto ISO, letting the D750 decide the sensitivity, since I handheld the camera. This test of course was as much dependent on the lens, as on the camera. F8 gave really nice sharpness as expected.
Saturday, 29 November 2014
Going Full Frame with a D750
Today was a very exciting day for me: my new camera arrived, equipped with a brand new lens! Since I got involved with digital photography I had only two cameras, started with a Nikon D5000 and in the last two and a half years I was shooting with a D7000.
But I was always wondering about full-frame: would this make a difference with my images? And while I know that the photographer's vision is the most important component, in this art technology and vision have to work together to constantly to push for better and better results. After having my fare share of images with APS-C DSLRs, now it was time to move one notch up to the world of full-frame cameras.
So my new D750 arrived today, with the 24-70mm f2.8 professional lens, a big boy representing one of the Nikon "Holy Trinity" zoom lenses. With this lens the D750 really dwarfed the D7000, epecially with the 16-85mm DX lens mounted.
After un-boxing and holding the body for the first time, I instantly noticed how light it was. First I thought it was lighter than my D7000 - and certainly if feels lighter compared to its own size. The buttons and the ergonomics of the camera were instantly familiar to me since the D7000 practically has the same layout. The live view switch moved a little lower, and there is a safety lock on the main dial which switches between the various modes the D750 - this one seems to me a little superfluous, I never accidentally moved from aperture mode to shutter priority on my D7000, and I have to pay attention now not to force the dial without pushing down the safety lock. I will get used to it.
But I was always wondering about full-frame: would this make a difference with my images? And while I know that the photographer's vision is the most important component, in this art technology and vision have to work together to constantly to push for better and better results. After having my fare share of images with APS-C DSLRs, now it was time to move one notch up to the world of full-frame cameras.
So my new D750 arrived today, with the 24-70mm f2.8 professional lens, a big boy representing one of the Nikon "Holy Trinity" zoom lenses. With this lens the D750 really dwarfed the D7000, epecially with the 16-85mm DX lens mounted.
After un-boxing and holding the body for the first time, I instantly noticed how light it was. First I thought it was lighter than my D7000 - and certainly if feels lighter compared to its own size. The buttons and the ergonomics of the camera were instantly familiar to me since the D7000 practically has the same layout. The live view switch moved a little lower, and there is a safety lock on the main dial which switches between the various modes the D750 - this one seems to me a little superfluous, I never accidentally moved from aperture mode to shutter priority on my D7000, and I have to pay attention now not to force the dial without pushing down the safety lock. I will get used to it.
Subscribe to:
Posts (Atom)

